Directing
Emmanuel Marre (French pronunciation: [ɛ.ma.nɥɛl maʁ]; born 21 June 1980) is a Belgium film director and screenwriter.
Judith attempts to work out why her partner appears not to be that interested in her, whilst other men appear to care more.
Unable to meet all the demands of his job and family anymore, Mathieu feels he's in a mid-life crisis and hurriedly leaves for the forest. His relatives are left by themselves, faced with his sudden departure and their choices.
Cassandre, 26, is a flight attendant for a low-cost airline. Based in Lanzarote, she’s always willing to take on extra hours and carries out her duties with robotic efficiency. On the side, she just goes with the flow and floats between Tinder, parties and lazy days. When she suddenly gets dismissed, she is forced to return home.
This is the story of a son who wants to spend time alone with his mother. This is the story of a father who doesn't want his son to see his mother alone. This is the story of a mother who never knew what she wanted. This is the story of just about everyone.
It's a film of highways, tourists on transhumance, concrete picnic tables, queues for toilets, warm melons and carwashes. It's the film of a man who wants to leave and a little boy who holds him back. It's the summer movie.
September 1940. Henri Marre arrives alone in Vichy as the authoritarian regime settles in. Broke, estranged from his family, and carrying copies of his self-published manifesto Notre Salut (Our Salvation), the 49-year-old is determined to secure what he believes is his rightful place in the new administration. In his writing, Henri sets out his patriotic convictions and his engineer’s methodology: efficiency above all. Claiming he wants to help save France after defeat, he does whatever is required to remain useful, serving the machinery of the new order with increasing skill. But he may be pursuing something more urgent: escape from his own ruin