
Acting
From Wikipedia, the free encyclopedia Emma Dunn (26 February 1875 – 14 December 1966) was an English character actress on the stage and in motion pictures. Emma Dunn appeared onstage in her early teens, graduating to the London stage for several years and later became a noted Broadway actress. She appeared in the first American production of Ibsen's Peer Gynt (1906) with Richard Mansfield as Peer. She played Peer's mother, Ase, even though she was, in real life, 20 years younger than Mansfield. She appeared in three productions for theatre impresario David Belasco: The Warrens of Virginia (1907), The Easiest Way (1909) and The Governor's Lady (1912). In The Easiest Way, Dunn portrayed Annie, who was black, in blackface. In 1913 Dunn appeared in vaudeville. Dunn made her first film in 1914, a silent film of her 1910 stage success, Mother, directed by Maurice Tourneur. This was Tourneur's first American film. Dunn's second film was 1920's Old Lady 31, reprising the role she played in the 1916 Broadway play of the same name. One more silent film followed in 1924, Pied Piper Malone, before she made her talkie debut in Side Street, co-starring the Moore brothers, Matt, Owen and Tom as her sons. Dunn wrote two books on elocution and speech: Thought Quality in the Voice (1933) and You Can Do It (1947). Emma Dunn was born 26 February 1875, in Birkenhead, England, although she sometimes gave her year of birth as 1883. Dunn married Harry Beresford, an actor who was then known professionally as Harry J. Morgan, in Chicago on 4 October 1897. They divorced on 10 February 1909, in New York City. She was awarded sole custody of their young daughter, Dorothy. On 19 May 1909, Dunn married John W. Stokes (John W. S. Sullivan), an actor, playwright and theatrical manager. They subsequently adopted a second daughter, Helen. The couple divorced sometime between 1923 and Stokes' death in 1931. After suffering a heart attack some months before, Dunn died 14 December 1966, in Los Angeles, California, aged 91.

Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

One of the sons of late Dr. Henry Frankenstein finds his father's ghoulish creation in a coma and revives him, only to find out the monster is controlled by Ygor who is bent on revenge.

Stolen way back in 1880, a sack of United States mail is discovered in an old attic in 1942. The letters are finally delivered, profoundly affecting the lives of the recipients.

Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.

Happily married for three years, Ann and David Smith live in New York. One morning Ann asks David if he had to do it over again, would he marry her? To her shock, he answers, "No". Later that day, they separately discover that, due to a legal complication, they are not legally married.

A straitlaced turn-of-the-century father presides over a family of boys and the mother who really rules the roost.

Ellen Creed is a housekeeper who looks after Leonora Fiske, a retired actress living in the English countryside. When Ellen's eccentric sisters visit their sibling at Leonora's home, tensions soon lead to murder.

When Paul Madvig, a successful politician who fights his rivals to seize the city, becomes implicated in a murder, Ed Beaumont, his friend and right-hand man, must decide which side he is on.

Kenneth discovers that his son by his first wife is ill in a remote Swiss village, and is forced to leave Wife Number Two alone during childbirth.

A young painter stumbles upon an assortment of odd characters at an English estate where he has been hired to give art lessons to beautiful Laura Fairlie. Among them are Anne Catherick, a strange young woman dressed in white whom he meets in the forest and who bears a striking resemblance to Laura; cunning Count Fosco, who hopes to obtain an inheritance for nobleman Sir Percival Glyde, whom he plans to have Laura marry; Mr. Fairlie, a hypochondriac who can't stand to have anyone make the slightest noise; and eccentric Countess Fosco who has her own dark secret. The artist also finds himself drawn to Marion Halcomb, a distant relation to Laura for whom the Count also has plans.

