Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.

A faithful adaptation of the classic tale portrays Dracula as an old man who grows younger whenever he dines on the blood of young maidens.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

In Medieval France a warlock is beheaded and his wife is tortured and executed. Hundreds of years later, an isolated group of people discover his head buried on their property. Soon it comes back to life, possessing people and using them to commit sacrifices and to search for the rest of his body.

A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.

A group of ruthless convicts is led to prison through an inhospitable mountain range by a small cavalry detachment commanded by Sergeant Brown, who is accompanied by his young and beautiful daughter.

In a 19th century village, a young aristocrat suffering from a terminal disease finds herself being drawn to the underground world of vampires and their strange rituals.

Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.

Jesus returns to Spain after a long exile in Argentina. The family he meets is very different from the one he left: they live under the sadness of being the losers of the war, Marcela, before a beautiful young woman, is now an alcoholic, and the youngest can not even understand them. Jesus wants to start a new life in Spain but he feels out of place; Time has turned him into an inhabitant of the other side of the 'puddle'.

While waiting to get started on the production of his feature Liberxina 90 (1970), Carlos Duran shot this short (with very expressive support by several Escuela de Barcelona professors): a grimly colourful satire on modern society as such, and on its fascist Spanish variety in particular. "The intrusion into the private life of a human being, of the distinct tendencies that exist in the society we live in, until they fall into chaos." Carlos Durán