Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

Antoni Cimolino’s chilling production of Macbeth takes you back to the stark reality of the 11th century, when the murderous king clawed his way to power. It has been praised as “a thrilling terror,” (Globe and Mail) “a bold and brutal take on the Scottish King’s tragic tale” (Toronto Star), and “a brilliant, terrifying show” that leaves people “gasping in the dark” (Chicago Tribune). Starring Ian Lake in “a galvanizing performance as an unusually young and sexually magnetic Macbeth” (New York Times) and Krystin Pellerin as “a standout Lady Macbeth … at once adorable yet devious” (Postmedia), this is a production that will haunt your dreams and leave you tingling. All hail Macbeth!

In Shakespeare’s great drama of loss and reconciliation, a long-deposed ruler uses magical arts to bring within her power the enemies who robbed her of her throne and marooned her on a remote island. But what revenge does she mean to take?

In a revolutionary adaptation by Brad Fraser, this Richard is the story of a king who believes that God gives him the right to live above the rules and who ultimately suffers the consequences. The story is embedded in a time of great freedom that is soon crushed - the late 1970s and early '80s: when lives were lived at great volume against a suffocating strain of conservatism and fear. Fraser's adaptation maintains Shakespeare's text but draws on sources beyond Richard II.

Blinded by jealousy, King Leontes falsely accuses his pregnant wife of infidelity, setting into motion a series of catastrophes that will destroy his wife and son and leave his infant daughter abandoned to the elements on a distant island. Sixteen years later, the king receives an unlikely chance at redemption.