In Naples in 1860, a girl named Grazia, a strongly pro-Flobonic Montechiaro, is betrothed to the general of Santafè. She is secretly in love with John, a patriot and revolutionary.

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

A example of female fantasy is L'Histoire d'un Pierrot (1913), based on a musical pantomime by Mario Costa with Francesca Bertini in the role of Pierrot and Leda Gys as Louisette. The young and naive Pierrot is led astray by the evil wine merchant Pochinet (Emilio Ghione). He hopes to distract Pierrot with drinking and gambling while he tries to seduce Louisette.

Directed by Emilio Ghione.

After rescuing a young boy named Leo from a brutal gang, the noble outlaw Za la Mort discovers the child is the heir to a massive fortune. He and his loyal partner Za la Vie must protect Leo from the Grey Rats, a ruthless criminal syndicate led by the villainous Grigione who are desperate to steal the inheritance. The chase leads them through the Parisian underworld and across the globe to secure Leo's safety and the secret of his past.

Directed by Emilio Ghione.