While fully enjoying the life of the 70's, in communist Romania, a young man is arrested and accused of a terrible crime. Freed a few years later and deeply affected by his sinister experience, he tries to find out what had really happened.

Sergiu, Laura and Smache are three high school graduates who make plans for the future. An idyll is born between Sergiu and Laura, but due to the opposition of the girl's parents and the fact that the young man is recruited, she will marry someone else. After a few years, the paths of the three meet again. Sergiu is on the verge of graduating from college and Laura, now divorced, is a piano teacher.

Portrait of a Romanian bourgeois family.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

The Aromanians (Rrãmãnji) are an ethnic group found mainly in today’s Albania, Greece, Bulgaria and Romania. For filmmaker Alexandra Gulea, this question of heritage is connected to the name she shares with her grandmother, who was born into a traditional Aromanian life, and is fluent only in an Aromanian language. The older Alexandra's father suffered a violent death in an uprising for his people's rights, which forced the family out of Greece and into a politically treacherous Balkan landscape deep in the throes of nationalist upheavals, until finally, they found a home in Romania.

The New Year That Never Came is a tragicomedy whose action takes place in a single day, before the revolution of 1989, in which the characters search for normality, safety, love, freedom and meaning in an absurd world.

A movie about the friendship between Ion Creanga and Mihai Eminescu.

In this allegorical fairy-tale, peaceful and warlike knights vie for the hand of a beautiful princess, while a discussion of disco goes on around them. She favors a peaceful knight, while her father and his advisors like the ones carrying around a lot of weapons.

In Alexandru Tatos’s debut film, a young urologist is assigned to a town hospital with no urology ward and keeps bumping up against his superiors because of both ethical and medical problems.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.