School leaver Phil moves with his father from inner-city London to the satellite Hertfordshire New Town of Stevenage, where they are promised a brighter future...but all Phil finds there is a bleak, cultural wilderness; a world of unemployment, violence, alcoholism and drug abuse in 90s Britain

Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.

Tracey, a hyperactive, inarticulate bicycle courier who unsuccessfully woos his girlfriend, watches Star Trek videos and delivers packages for a women's erotic magazine, "Bad and Beautiful". As the female staff produce their new issue, they are watched by builders restoring their crumbling office block - each of them with an interest in the women within.

For want of a nail a shoe was lost, for want of a shoe... a young man's life is almost lost, which is exactly what this film is all about: a man barely twenty who wants desperately to pull out of London's drug world by taking a job as a waiter in a 'normal' restaurant. But to do this he must come up with a "sensible" pair of shoes, an item that his homeless meanderings hasn't provided him.

Isolated on a farm and fighting against his family's decision, Aaron struggles to be heard as he watches his mother willingly die.

A domineering,reclusive, and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.

1980s Derry: Goretti Friel, one of a spirited group of teenage friends, meets Ciarán at her Irish language class, and romance blossoms. When he is arrested and imprisoned by the British army, Goretti is dismayed to find herself pregnant. Left to deal with the crisis alone, she is tormented by the conflicts of her growing belly and the influence of a Catholic upbringing.

Shoot to Kill is a four-hour drama documentary reconstruction of the events that led to the 1984–86 Stalker Inquiry into the shooting of six terrorist suspects in Northern Ireland in 1982 by a specialist unit of the Royal Ulster Constabulary (RUC), allegedly without warning (the so-called shoot-to-kill policy); the organised fabrication of false accounts of the events; and the difficulties created for the inquiry team in their investigation.

Irish thriller starring Toby Stephens. Belfast of the near future finds the city ruled by two rival law-enforcing punishment squads. When Luke Bradley (Stephens)'s son is found murdered, suspicion falls upon the local preacher (Jim Norton). Taken to Sunset Heights, a druid's circle on a hill overlooking the city, the accused is summarily executed by the boy's father. However, when another child goes missing, it appears that they have killed the wrong man - or that the preacher has come back from the dead to wreak his revenge...

Rachel discovers she is pregnant. Just as she is about to break the news to her stockbroker boyfriend Bill, he dumps her. Heartbroken and angry, Rachel takes Bill's cherished sports car, clears out their joint bank account and heads off to the country and to her dysfunctional family's farmhouse. By trying to sort out her own family's problems Rachel hopes to come to terms with her own predicament. But Bill discovers her whereabouts and is on the warpath.