A young woman of about 17 years old, named Meryem (Ozgu Namal), has been raped, and her village's customs call for her to be killed to restore honor and dignity to her family and village. The eldest son of the village leader, Cemal (Murat Han), is ordered to take Meryem to Istanbul and kill her, but at the last minute he cannot complete the task.

In a small village, young Mert is about to get traditionally circumcised, but the family does not have the money to follow up with the circumcision celebration. The family wants to be able to serve lamb meat to the guests at the celebration. Mert’s older sister scares him that if they cannot afford a lamb the father will slaughter him instead.

The Corridor is the story of two old sisters who have totally opposite characters and had to live together. They are carried to loneliness, they can’t socialize neither to each other nor to anyone else. They fall into despair and wicked behaviors but never hurt anyone else but themselves and each other.

Bünyamin corners Menekşe, one of the village's beautiful girls, in the hayloft. While they are still flirting, Menekşe's brother İbo witnesses the situation and stirs up the village. Bünyamin has no choice but to flee, because Menekşe's brothers Saffet and Süleyman are merciless. While Bünyamin takes refuge with his mother Solmaz, Solmaz realizes that the only solution is to flee the village, despite her anger. Solmaz decides to go to Istanbul with her other children. Solmaz's other son, Mete, and her daughters, Perihan and Nergis, had already moved to Istanbul, married, and started families.

Sevim has been going to house cleaning for many years to Ayten and she has an organizing role in the house. Sevim provides financial support to her daughter Demet and her son-in-law Sermet. Ayten’s (Kosovian) helper Lena has an accident. This accident triggers legal problems between the parties. Ayten pushes Sevim, to convince Lena to give up. Sevim, who is very focused on solving the problem of Milena in favor of Ayten, experiences moral, conscientious and class conflicts in the process.