DIE WOLKE (The Cloud) is about a breakdown of a nuclear power station in Germany and the story of two teenager-lovers Hannah and Elmar who take refuge. 38.000 people die and Hannah unfortunately becomes contaminated.

Barbara Hug is a young radical lawyer fighting Switzerland's antiquated prison system in the 1980s. Walter Stürm is in and often escaping out of jail becoming known as the Jailbreak King. When the two meet an unlikely alliance is formed.

Axel and Karla are an ill-matched couple in a borderline situation. The two meet in the hospital. Axel is keeping watch at his son′s bedside and Karla is waiting for some sign of life from her sister. None of the doctors can tell them whether the young couple will come out of their comas after their serious accident. As the weeks of uncertainty, fear and tedium pass by, a peculiar relationship develops between Axel and Karla, sustaining both of them.

Swiss allotment gardener Livius is murdered in his garden on French soil. The case must therefore be investigated by both the Swiss and French police. This leads to friction between the two forces. To make matters worse, Hunkeler has to cut short his vacation.

For Sina Andri, a dream is coming true. As a young helicopter pilot, she has been offered a job at Rega. The only downside is that she has to complete her probationary period at the base in Samedan. Sina fled from there in her youth after her first boyfriend took his own life and she was blamed for it. Sina's return brings back memories for those involved. A new tragedy is looming.

Frustrated with the hopeless search for professional therapy, Martha looks for help with a spiritual self-help group. When this group turns out to be an autoaggressive cult, she needs to decide whether she gives in to her fate, or flies home.

The famous forensic phonetician Matthias Hegel is a luminary in his field. Even the slightest deviation in the sound of a voice is enough for him to distinguish truth from lies and thus convict criminals. But now the police consultant confesses to having committed a gruesome murder.

Legendary director Hans Neuenfels once again proves his great skill with this interpretation of Mozart’s “Entführung aus dem Serail” (Abduction from the Seraglio). This extraordinary production conducted by Lothar Zagrosek, and with Catherine Naglestad, Kate Ladner and Matthias Klink in the main roles, won the Bavarian Theatre Prize in 1999 and offers a refreshingly new view of one of the most frequently played operas worldwide. Special highlight: Neuenfels places an actor at every singer’s side who not only takes over his role for the spoken original scripts, but also interacts with his singing double and other characters of the piece. In recent decades, directors have sought to revitalise the somewhat naive plot of the “Entführung” with fresh interpretations. Hans Neuenfels, who produced his “first Mozart” here in Stuttgart, retains the story’s naivety and absurdity. He does this in a very stimulating and intelligent way.