A young couple from the present day is transported by magic to a distant fairy-tale world. There they encounter clever objects such as the table that sets itself, the flying carpet, and the invisibility cloak. All of these objects can be used for useful purposes. However, since they can also be used to play pranks and cause a lot of mischief, Vera and Peter and their allies are urged to be brave and cautious...

Two young and attractive social workers/nuns bring fresh air into a city missionary station, but are also challenged by lust and money, offered by a millionaire.

Berlin in the 60s. The construction of the Berlin Wall not only divides the city, but also separates the Rechlin family. While mother Ingelore lives with husband Hannes and the youngest son in the eastern part of the city, the young, married daughter Beate lives in West Berlin. Even when she gives birth to the first grandson, the newly baked grandma Ingelore cannot visit her. Travel permits are only issued one year later. But the formerly so tight family bond is burdened by the long separation. Son Bernd also avoids the rest of the family, as his new girlfriend has just been released from prison because of attempted "republic escape". And so Mother Ingelore almost has to watch her family shatter.

Normal everyday life in an apartment building on Plantagenstraße in East Berlin is disrupted when a truck pulls up with the new tenants' furniture. And they include two small children - now, of all times, when old Matuschke's wife has just died and consideration should actually be shown for the widower. Even worse for Mrs. Tillack, however, is the fact that the entire male world seems to be after her 16-year-old daughter Katrin.

A Saxon village in 1792: While the Prussians go against France, the haymaking takes place in the village and the resolute Marthe catches her daughter Ev with the village blacksmith Ruprecht in the hay.

The story of Ulzana, an Apache chief who has reached a rapprochement with the local Mexican population and generously extends it to whites who travel through the territory. His people have become inured to the treacherous ways of the white man, however, and are now reliant on them for booze, 'relief flour' and beef steak.

Kemmel, a sculptor with a troubled nature, wonders, as he approaches his fortieth birthday, whether he has created any truly significant work.

Eight-year-old Christian lives with his grandparents after the death of his mother. When his grandmother falls ill, grandfather Meschka wants to take the boy to live with his aunt at the Baltic Sea. But Christian is against it. On the trip, the two develop a new relationship that changes everything.

Paul Stojahn spent many years abroad as a fitter. Now he returns to Berlin, no longer very young, and meets his grandson Markus. The news of Paul's return causes some confusion in the family. Grandma Renate in particular cannot forgive Paul for neglecting his family. Only Markus likes Paul very much because he can tell wonderful stories about Siberia and Africa. But as the family has a different opinion of their grandfather, a row breaks out and one day Markus receives a farewell letter.

Berlin in the golden 20s. Like no other, the singer and cabaret artist Claire Waldoff found the right words for what the so-called “little people“ thought and felt. Her heartfelt songs with heart and snout triggered storms of enthusiasm and made Claire Waldoff famous. Kurt Tucholsky gave her the nickname "Sparrow of Berlin". With the beginning of the 1930s and the Nazi regime in Germany, the popularity of the Berlin original declined.