Maria, an inn keeper, is always a bride but never a wife. She meets newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. E. Havetta's debut was inspired by naïve art, French impressionism, silent slap-stick and Western Slovakian folk traditions.

It was autumn 1939, shortly after the attack on Poland by the German army. The military component of the Slovak State are allies of the Nazis, and with them came on Polish territory. They're alongside the mighty army of Hitler's occupation force. In the decimated Polish town the Commander of the Slovak company Major Valenta issues orders that all residents surrender weapons if they own any. Insubordination will be punishable by death. Shortly after, the charming young Polish lady Žofie reports Valenta about: Professor Klosowski, who is Professor of Botany at the local high school, said to be hiding out at home in the library of the gun. Valenta reluctantly executes search warrant and weapon is found, but it is immediately clear that the old Professor became the victim of misunderstandings or possible fraud. To his surprise, he soon discovers that Sophie has a close relationship with Klosowski. But just before he fathoms the mystery, the occupation machinery executes havoc.

Two repatriated soldiers search for stability and love when they return home after the First World War.

Maria, an inn keeper, is always a bride but never a wife. She meets newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. E. Havetta's debut was inspired by naïve art, French impressionism, silent slap-stick and Western Slovakian folk traditions.

A tram pasted with posters travels through Prague. The mounted loudspeakers invite passers-by to a series of concerts of Giuseppe Verdi's masterpieces. On the tram a party of young people is getting drunk.

Elo Havetta's student film.

A story about a man in a caravan who checks the suitability and abundance of water wells. A suggestive, sometimes ironic, but always biased portrait of modern Robinson. The film shows the flip side of the modern myth of returning to the bosom of nature.