"Frank Gehry: An Architecture of Joy" illustrates the unique intertwining of art and architecture throughout Gehry's spectacularly eclectic career. In this portrait, Gehry explores his work of the 1990's including The Guggenheim Museum in Bilbao and the Frederick R. Weisman Museum in Minneapolis, as well as his first European commission, the EMR Communication and Technology Center in Bad Oeynhausen, Germany. Seeing himself as an artist first, Gehry discusses his early relationships in the art world and how sculpture, painting and small scale work has influenced his architectural style. Like Rauschenberg, Johns, and Warhol, he has introduced "bad taste" into his concepts, while keeping himself outside of the contemporary dialogue between modernism and post-modernism. He has translated the vocabulary of contemporary art into an architectural language of his own, disobeying the rules of his profession and questioning its historic conventions.

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

Constantin Brancusi (1876-1957), the most important sculptor of the first half of the 20th century, has been a fascinating and enduring influence on a generation of contemporary American artists. Insights into Brancusi’s legacy are presented by Carl Andre, Lynda Benglis, Ellsworth Kelly, Martin Puryear, Richard Serra, and Joel Shapiro, with additional commentary on Dan Flavin, Donald Judd, Roy Lichtenstein, Isamu Noguchi,and Claes Oldenburg. In 1995, Anne d’Harnoncourt, Director Emeritus of the Philadelphia Museum of Art, asked Checkerboard to document the PMA’s acclaimed retrospective on Brancusi for the Museum’s archive. The resulting footage became the genesis of the documentary.

Metropolitan Museum of Art curator Henry Geldzahler reflects on the 1960s pop art scene in New York.

Cameras record artist Ellsworth Kelly as he creates sculptures for the US Embassy in Beijing. With all his equipment around him, Ellsworth undertakes a big task as his creates he next masterpieces.