Distinguished as both a documentary and commercial photographer, Erwitt has made some of the most memorable photographs of the twentieth century including astonishing scenes of everyday life, filled with poetry and special wit.

The film tells the story of the intimate and unprecedented encounter between the photojournalists of the Magnum Agency and the world of cinema. The confrontation of two seemingly opposite worlds – fiction and reality. For 70 years their paths crossed: a family of photographers, amongst them the biggest names in photography, and a family of actors and filmmakers who helped write the history of cinema, from John Huston to Marilyn Monroe to Orson Welles, Kate Winslet and Sean Penn.

Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

A behind-the-scenes and in-depth look at the making of John Huston's The Misfits (1961).

Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.

Presents an intimate view of four decades of the Swiss-born artist Robert Frank who has had an extraordinary influence on contemporary photography and filmmaking. This documentary which examines his life through his films and photographs, includes interviews with many of his collaborators and contemporaries. Written, directed and edited by Philip Brookman, Amy Brookman

Survey Marilyn Monroe’s life through photographs, from Hollywood stills to candid pictures snapped on the streets of New York.

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

Nearly fifty years after her death, Marilyn Monroe remains an absolute icon, the image of a superficial and sensual blonde forever etched in the collective imagination. But behind the legend lies a more complex reality: that of Norma Jeane Baker, a young woman abandoned by all who constantly lurched from euphoria to the depths of despair. Throughout her life, Marilyn attempted to free herself from her image and access her truth. You will discover the little-known episodes from the last years of the star's life. Why did she abandon Hollywood and move to New York under an assumed name in 1954? How did she end up locked away in a psychiatric clinic after filming "The Misfits"? What did her diaries contain? What was her relationship with her psychoanalyst? Finally, under what circumstances did this 36-year-old woman meet her death? Using numerous testimonies and archival material, the teams paint a portrait of a mysterious and tormented personality.