A man plans to kill his wealthy wife for her money and so he can be with his beautiful young mistress. However, things don't turn out exactly as he had planned.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

The 30-years old Max is MD and engaged to the attractive Coco, who jealously keep watch over him. After he heard the lovely voice of an unknown misdialing woman, he starts a restless search ...

Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.

The students at a school of hotel management repurpose the institute into a hotel with a show stage, double-cross the principal, the groundskeeper, and a grumpy millionaire, and cause so much mischief and confusion that, in the end, there is only one thing left to do: laughing to the bitter end!

A mix between Italian neo-realism, German expressionism and Austrian exploitation.

The town leaders of an Austrian mountain village conspire to attract tourists by touting a mythical "fountain of love" that runs nearby the village. When the minister of tourism discovers this, she immediately sends her agents to check out the veracity of the potentially scandalous water. After the village mayor declares a 3-day ban on sexual activity, he then plugs up the fountain. When the agents come, they find nothing. One of the agents wants to have his boss come and check it out personally, but changes his mind after he drinks some of the water. It really is an aphrodisiac! Soon tourists are arriving by the hundreds to sample the mysterious water. Unfortunately, the minister finds out and claims the water for the state.

Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient Roman temple in Lebanon, and interweaving Lebanese and German folk songs with the music of Verdi, Wagner, Strauss, Mozart, Bellini, and Donizetti. Elfi Mikesch, the cinematographer of Schroeter’s later films, designed the film’s sumptuous costumes. A contemporary critic for Le Monde wrote admiringly of Schroeter’s depiction of "the deadly struggle between dark Christian morality and luminous paganism.“

Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.

A sleazy comedy directed by Ákos Ráthonyi.