Ching’s mother asks Ching to take her grandmother in until she is sent to a nursing home and that makes her ponder over her relationship with her mother. Three generations of women, each has their own share of pain.

Ashes are all that remain when someone dies, as the rest of us carry on with the remembrance of the past, in the form of things that continue to burden us. Granny Di makes a meagre living out of recycling cardboard and found objects on the street, carrying the ashes of her late husband wherever she goes. As the going gets tough, she is reduced to stealing and selling sacrificial offerings from the funeral home. Ellen Liu plays the desolate and desperate Granny Di, rendering a lively and moving performance with a human touch. The short brings us through the nooks and crannies of Hung Hom district, chronicling a sorrowful tale about forsaken old age.

A police detective must solve a brutal murder to prove his partner's innocence and unearth the truth behind Hong Kong's police force. The investigation brings him to an unlikely collaboration with an inspector from the Narcotics Bureau, whose motives may not be what they seem.

In 1970s Hong Kong, the Independent Commission Against Corruption (ICAC) was formed to bring down the corruption syndicate led by British government officials. One of its top investigators is Senior Investigator Lau Kai-Yuen, who brought down countless corrupted officials. Just as he thought stability and prosperity are within reach, a new era of greed and riches takes him into a new battlefield of corruption.

This is apparently a true story about Ching Man Fei, played by the very pretty Alice Lau, who has been blind since six months old and lives with her family in Canton, China. She is about 17 in the role, though Ms. Lau looks older. Ching wants to study, to learn, but her family does not really want that. Throughout the first part of this film, people say to and about her that she is a burden, that she had to do something evil in a past life etc. The family maid Wo becomes the one person who truly believes in her, taking her around the city and answering her questions about everything and eventually being instrumental in her being able to study. The scenes together of Ching and Wo are terrific, you feel the love and trust between them. There are people who pass by in Ching's life, a blind beggar street girl named Jade and a radio actor, who helps her, but their characters are underdeveloped, as if they really were blips in this person's life (perhaps they were).

Chu (Mickey Chu Kin-Kwan) is a young fellow who's made it big in the business world, and makes headlines when he offers a large reward for a special $1000 bill with a personal inscription on it. The bill is a memento of his adolescent friendship with Ching (Athena Chu) and Ricky (Nicky Wu), who were once the best of friends. The three have since gone their separate ways, but Chu holds onto the bittersweet memories of their youth, when the three were inseparable, and saw only bright futures ahead of them. But misplaced emotions and the painful trials of youth split them apart, and now that Chu has finally made it big, he wants nothing more than to see the three reunited. Will the two respond to his impassioned plea to find them once again?

By a strange twist of fate, dutiful Hong Kong policeman Dan saves the life of the leader of a violent gang of armed robbers. When they commit another crime, Dan is determined to put an end to their activities. He works with the leader, whom the gang had betrayed, to engineer a plan to wreak havoc within the gang and let the gangsters kill one another. But it becomes increasingly obvious to Dan and to his colleagues that Dan is suffering from a severe mental disorder, and Dan finds that instead of upholding the law as a righteous police officer, he has now become a fugitive wanted for murder.

Twenty years ago, Charlie came to Hong Kong to work as a domestic helper. Not only did she leave her home country Philippine, she also left her husband and her six-year-old son.Close to her retirement, she looks forward to going back home and living with her son again. However, her dream does not come true as she wishes…

Kuen is a lounge singer on Temple Street. Her son Kakei, now a university student, returns to Hong Kong for just a few days after emigrating to Canada with his father. Kuen's colleague Kit has to work overnight and enlists Kuen’s help to take care of her young son. During the sleepless night, Kuen and Ka-kei relive their past and envisage their future through another pair of mother and son. Under the bright sun, the cycle of life and family relationships continue, made all the more touching by the nuanced moments of care and concern between each other. SHAM Ka-ki of Weeds On Fire plays the son and renders a tender and layered performance full of subtlety.

Liza, once a notorious mob boss, has always been strategically planning the career of her only son Yan. It is however never in Yan’s intention to follow her mother’s footsteps - instead he aspires to be a filmmaker. As a mob, Yan is highly incompetent, and his disappointing performance already messed up a simple drug deal. Liza desperately tries to save her most sought-after son, but she ends up, along with her son, breaking into her neighbour Mr. Chan's home. They accidentally steal the head of Mrs. Chan, whom they assume was murdered by Mr. Chan. They recklessly decide to blackmail Mr. Chan, and everything goes out of control. Will Liza and her beloved son survive this crisis?