Now in his fifties, Vagn leads a solitary life and plays football with a group of similarly aged men, some even older. After being left behind at a petrol station by his teammates on their way to a match in Sweden, he encounters a young habitual offender and together they set off in hot pursuit of Vagn's buddies. A Nordic road movie taking in a whole series of comic, serious and, above all, well-written scenarios.

The slightly self-indulgent artist Thorvald collapses during an interview made in celebration of his 80th birthday and dies shortly after. But in spite of his death Thorvald can still follow those left behind. From a distance, and for better or worse, he sees with his own eyes the imprint he has left on his family and especially his son Vincent, who had a strained relationship with his father.

Jonathan, 11, usually spends his vacations alone with his grandfather who lives on the edge of a vast forest populated by mythical animals. This year his kid sister Sophie joins him. But it's not cool to be stuck with a little sister, so he does what he can to avoid her. He succeeds entirely too well: Sophie is kidnapped by a giant, 1000-year-old bear. Now, Jonathan has to venture into the heart of the forest to confront the strange beings that dwell there and rescue his sister.

John (played by Erik Clausen) is in prison for petty crime. His son is getting married and he has been granted accompanied leave to attend. The provincial Bo (played by Jesper Asholt) accompanies him.

Window cleaner Bent A. Pedersen, with his indomitable spirit, lives with his friend Sigfred because he can't stand his neurotic wife and disabled son. When a boy accidentally smashes the side mirror of his new car, Bent follows him to get his father to pay for the damage. A pretty but fragile single mother, whom Bent thinks resembles Ingrid Bergman, opens the door, and life in Amager is never the same again.

Anders Refn's film adaptation of Gustav Wied's novel stars Jens Okking and Helle Hertz in the leading roles as Baron Helmuth and his wife Alvilda. The baron is deeply enamored with his wife, but she is repelled by his blunt and coarse nature and is drawn to her cousin, who fulfills her desire for passionate romance.

A portrait of Flemming Quist Møller's life, both as the man, the musician and the artist. Throughout the narrative, we encounter his work with film, music, theater, plays, satire drawings, book illustrations, paintings, screenwriting; we experience that he, as a communicator and narrator, is always on the side of the weak, working with the simple, straightforward and human.

Rasmus defends his Ph.D in Danish literature entitled "The Romantic Idiot", but with his special qualifications there are not many jobs around. To reduce his study loan he settles for a temporary teaching job at an adult education programme in the provincial town of Korsør. Here, Rasmus meets a complex group of people and takes part in their lives. He falls dramatically in love with one of his pupils, Signe, who dreams of having a child with her partner, Camilla. Playing the role of a romantic idiot in Korsør just isn't plain sailing for Rasmus.

When career criminal John - the character from Clausen's drama-comedy »Temporary Release« (2007) - is granted parole, he hastens to Jutland to visit his son who is in difficulty. John might be a dedicated father, a perfect employee, and a great line-dancer, but life isn't exactly plain sailing.

Herluf lives a complacent life with his wife Inger-Lise. Their daily routines are only interrupted by their daughter's marriages, the third now about to take place. But Herluf's problems are more serious than an indecisive daughter, his wife is cheating on him and he's started forgetting things at work. And one day Herluf doesn't return home.