In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

Since childhood Peter Schlönzke dreams of a career as a TV presenter. His great role model is Heinz Wäscher, who is always looking for talented young entertainers for his popular show. Peters mother announces her shy boy for an audition, which, although mercilessly goes wrong, but brings him a job as a cable helper. He meets the popular entertainer from the unlikely side: as a bus scrapper who despises his audience. When Peter stumbles into the limelight by chance, he has a unique chance - as successor to scrubber.

Geierwally, who earned her name through a bitter fight with a bird of prey, refuses to marry Vinzenz, the heir apparent assigned to her by her father, and lives a secluded life in a mountain hut. Her love for Bärenjosef seems hopeless, especially since he knows nothing of Wally's love. She becomes increasingly isolated, becomes the laughing stock of the village, and misunderstandings arise because Bärenjosef's sister Afra is mistakenly regarded as his “girlfriend.” Wally then decides that she would rather have Josef dead than not at all...

Everything you want to know about the secret erotic desires of Germans can be experienced here in documentary images and hard-hitting interviews that leave nothing to be desired in terms of unsparing openness. The film should serve as a warning to parents and a deterrent to daughters, because once registered means a lifetime burned market! And you can buy a lot from the earnings - but no happiness!

Vittorio pretends to be gay so he can chaperone a rich man's daughter on vacation in Germany. Unfortunately his driver really is gay and Vittorio has a problem.

East Germans abduct a U.S. coed (Linda Blair) and throw her in a women's prison run by a brutal inmate (Sylvia Kristel).

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

Workers of a journey company state about guys and females who pass their vacation time just by sexual enjoyment, which is shown overly thorough and commented on.

120 schoolgirls live in a Catholic boarding school for girls together with nuns, who teach them, but secular teachers are also employed here. Behind the conservative façade of decency, discipline and order, there are unsuspected sexual abysses.