In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

A French-Greek co-production, filmed in Paris, in which the forty-year-old Maxim is released from prison after five years in prison. As he tries to adjust to life on the outside, he accidentally meets a Parisian taxi-driver who commits suicide right before his eyes. Without a pause he takes the dead cabbie's place behind the wheel and starts making the rounds of the city, transporting passengers (Jean-Pierre Léaud plays the role of a client who recites Cavafy throughout the entire ride). He feels the air of freedom, a lord of Paris and master of himself, up to the moment that he meets young Anies, and his life falls into new paths. In the end, he takes off, destination unknown.

Gifted student Antoine goes against his family’s wishes and accepts the lead role in a controversial director’s film. He learns that the role had previously been offered to a young man who committed suicide after an on-set affair – and events conspire to draw Antoine towards the same lover.

Police Inspector Staniland is investigating the death of a pianist. While conducting his investigation and looking through the victim's apartment, he meets Barbara, the mistress of the murder victim. Barbara confesses to the crime, but Staniland, based on his observations and experience, does not believe her. He then sets out to find the truth.

Orgon is a man of property duped by the false piety of the penniless Tartuffe. Orgon takes him into his house, believing him a paragon of virtue. Orgon orders his daughter to reject her fiancé and marry Tartuffe. First Dorine, the family servant, tries a strategy to avert the marriage; then Orgon's son tries his hand. They anger Orgon, and to prove paternal power, he disinherits his son and makes Tartuffe his heir. Next Orgon's wife tries to bring her husband insight, a stratagem that partially backfires. With the bailiff at the door ordering Orgon to vacate his own home and with Tartuffe at court to prove Orgon's a traitor, all seems lost.

A self-centered man (Gérard Depardieu) with many diversions occasionally visits his 4-year-old son (Antoine Pialat) and the boy's mother (Géraldine Pailhas).

A girl, whose father is from Greece, studies ancient art in France. The film was made for television but never broadcast for political reasons related to its portrayal of Greeks. A work print was screened in Belgium in 1971, and the film is now available in reconstructed form.

Video director Jerome Cornuau made his feature-film debut with this showbiz-themed French film. Young Alice (Ambre Boukebza) hitchhikes into the city to seek out her music-executive dad (Bernard Le Coq) but instead becomes friends with a singing star (Ophelie Winter, portraying herself), learns dancing from African trashman Rudy (Ashanti), polishes her singing skills with an assist from vocalist Nathalie (Lea Drucker), and is romanced by producer Jeremy (Patrick Forster-Delmas).

Without warning, Mélie disembarks on the cargo ship where her father has the sailor's blues. He remembers his drifts and his friend Max who used to get him into some crazy situations. He remembers Alice and Luc whom he decided to avenge. He has his grenade ready. But Melie has just arrived.