Anita Malfatti goes through a deep desolation after the critic "Paranoia ou Mystification" by Monteiro Lobato to his famous 1917 exhibition, which highlights the beginning of the modernist movement in Brazil. Anita struggles to overcome the biggest disappointment of her life, her best friend Mário de Andrade tries to help her overcome what happened, with time Mário resorts to Oswald de Andrade and the two try to convince Anita to participate in the Modern Art Week of 1922.

With the help of Sara, Arthur enters his own mind to find out why can't remember his past and why he is having memory lapses. In love with Mayara, he has to heal in order to retrieve his relationship with her, but deep inside of this dream environment, he'll find Hugo and will have to face a truth that will change your life forever.

Three corrupt emeritus from the same small political party involved in a plot of sex, corruption and betrayal are the main characters of an agile, dreamlike plot that refers to the best achievements of Brazilian marginal cinema.

Ane spends her afternoons playing around the forest with her cousins until she encounters Anhangá, an indigenous spirit that surrounds her community. But when she goes deeper into the forest, Ane is faced with a real haunting.

A grieving father goes after the one responsible for the death of his daughter and discovers secrets that the young girl had hidden before she died. His search takes him to a nightclub where an enigmatic host promises to help him in exchange for something. Little did the father know the consequences of this agreement.