A man who survives an earthquake is convinced that there is another man still stuck in the debris.

On a Sunday morning in Beirut, frustrated Mona and her miserable taxi-driver husband Abu Rami set out for a drive across Lebanon to visit their son Rami and his wife. After 40 years of marriage, the couple nag and squabble and Mona is plagued with doubts about his fidelity. When the car breaks down in the middle of nowhere, Abu Rami and Mona are stranded without help. While waiting, tensions rise and Mona confronts her husband with her suspicions. He angrily dismisses her thoughts as absurd, but is eventually overcome by guilt and confesses to leading a double life. Mona is devastated and abandons Abu Rami on the side of the road, but not before shattering his world with a secret of her own.

In the aftermath of the 1967 defeat, four young Lebanese try to figure out their places in a society whose rules seem to have changed. It proved to be an extraordinary anticipation of the civil war that would engulf the country while the film was being edited.

Claire (Laure Marsac) is a 16-year-old young woman who discovers her father Pierre (Bernard Giraudeau) is not a healing physician but a killer with a bloody war record in the Lebanese conflict. She runs away from home and into the arms of Kamal (Michal Albertini). While Pierre stalks two terrorists, Claire and Kamal are violently confronted by Kamal's abandoned wife and family. The ravages of the conflict extend to those who are never participants in the battle but are among the casualties of war.

In 1975, the Lebanese wars started when Maroun Bagdadi ended his first feature film "Beirutya Beirut". Did the war give an identity to Lebanese cinema? Productions of documentaries, action movies, actor films, co-productions, and emigration. Since 1975, the war has remained a major subject for feature fiIms shot in Lebanon. This is a history of stories about war and cinema.