Riky, a club bouncer who recently broke up with his girlfriend, has another shift ahead of him “working the door”. While it’s just a Tuesday, this is no ordinary night – it’s Valentine’s Day, a night when nobody wants to be alone. Riky is happy to be spending the evening in the company of his co-workers Modřín and Mates, and they’ve got their hands full. Underaged kids want to get in, drunks don’t want to get out, and everyone keeps losing their cloakroom tickets. In the middle of all of this, Riky’s ex shows up, and she isn’t alone.

Helena, is about to give birth and face a rosy future in a modern city, as the pregnant wife of an important factory manager. However, all her illusions soon perish, as the dead body of a newborn intersex baby is found in the middle of their factory. Helena needs to find out what happened here for the safety of her own child, but she runs into her own prejudices.

At the water sprite and water nymph school, classes proceed as planned until the water nymphs leave for a dance competition and the water sprites accompany them to cheer them on. Only Vrbata, a notorious troublemaker, remains at the school as punishment. While exploring the cabinet, he carelessly awakens an octopus with living water. Upon the school trip's return, the octopus manages to capture the headmaster and begins to threaten the entire school. At the same time, the vagrant Mikolášek breaks into the school, so the water sprites, water nymphs, and teaching staff must not only fight the sea monster but also solve the problem of how to get rid of him. Unfortunately, nothing goes according to plan, and the octopus gradually captures everyone except the clumsiest water nymph, Křehulová. The situation begins to look hopeless. Fortunately, Mikolášek comes up with a plan and, together with Křehulová, tries to bring it to a successful conclusion...

After the global collapse of civilization, part of Europe remains uninhabitable. People form small groups, surviving in safe zones separated from each other by strips of land where uncontrolled military technology creates deadly "traps." The only ones who can cross the dangerous territories are the "runners." The fate of several people who have decided to find a safe place for a new life depends on one of them.

Ctrl Emotion is a Czech comedy film. It was released in 2009.

After years together, Petr and Hana, partners in work and in life, share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into curious experimentation with a non-monogamous approach to their relationship. But sexual freedom tastes differently for each of them.

It follows young alchemist Amélie as she acquires a magical power: partially influencing the flow of time. But she is split in time, and Amélie from the present meets Améliw from the past, who accompanies her every step of the way.

Based on a best-selling novel by Michal Viewegh, Angels of everyday focuses on a few intimate family members: a recently widowed young doctor Ester; a school canteen cook and her son; a driving instructor, his wife, and their closest relatives.

A 12-year-old boy faces bullying due to his weight and decides to take charge of his life by adopting a healthier lifestyle and trying to win the heart of the girl he admires. Through his journey, he learns the importance of positivity and standing against body shaming, discovering that true confidence comes from embracing who you are.

Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.