Acting
No biography available.
A portrait of a single day in the late summer of 1956, toward the end of Bertolt Brecht's life, as he prepares to leave his lakeside home, surrounded by the women who form his extended family.
The emotional story of an adulterous relationship between a journalist and a teacher.
Valentin Hase (Peter Alexander) falls in love with the rich but cleptomanic society girl Babs (Connie Froboess) without knowing her true identity as the daughter of a chocolate company owner.
The Thorwald family is well-off and contented when a tragedy strikes: the father is killed in an accident. Miss Thorwald takes over the raising of her children, four girls and two boys with the youngest already fifteen years old. She manages to keep them together in spite of the fact that their economic situation deteriorates after World War I. Never one to look too critically upon her brood, the woman undergoes a moving and gradual transformation as the adult activities of her children bring home the fact that none of them are what she had once imagined.
A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. "Office at Night", "Western Motel", "Usherette", "A Woman in the Sun") into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.
This film is based on the actual events referred to as the "Mühlviertler Hasenjagd" (Hare-hunt in the Mühlviertel) which occurred in February 1945 around the Mauthausen concentration camp. 500 Soviet officers form death block 20 attempt to escape, but only 150 of them actually succeed. Following the tally-ho of the SS, a barbaric manhunt begins. Only very few fugitives survive. With a lot of good luck, the two young officers Michail and Nikolai reach the Karner family's farm. Frau Karner persuades her husband to hide the two escapees.
Emma Bovary, a dreamy, idealistic woman married to the dull provincial doctor Charles, yearns for the passion and luxury she’s read about in novels. After affairs with Léon and Rodolphe fail to fulfill her fantasies, her compulsive spending leads to crushing debt, and in despair, she decides to take her own life by poisoning.
When actress Elfriede Irrall wants to make a film about her mother Erika Trojan in 1977, she is skeptical at first, but then ready to talk. Erika Trojan speaks surprisingly openly of her life in Vienna, of National Socialism, of family constraints and the desire for liberation, of love and sexuality. The explosiveness and timeliness of the result are without comparison.