In Rome, a sadistic serial killer begins stalking and murdering sex workers, leaving the community terrified and the authorities struggling to stop the violence. After several attacks, four women—Lena, Angela, Nadine, and Stella—decide they can’t wait to be the next victims, and band together to protect each other and take a more active role in the search. As police pressure mounts and the women start digging for clues on their own, the hunt turns the city into a tense web of fear, rumors, and suspicion.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

When Francesco returns home with the assumption that his father's wealth will be there to keep him content, he discovers that his father has lost everything to a German countess while gambling.

A piano player meets and falls in love with a beautiful and voluptuous woman who, by some strange procedure, leaves the man unable to move but with a permanent priapism. After some time he becomes sick of it and she relieves his paralysis. Eventually she gets bored and decides to leave, but he can't take it because he loves her…

Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.