Anna, in her late twenties, feels like her life is sliding away from her hands. A ticket to a music school in Paris might be the last chance to pursue her dream unless her manipulative, self-destructive alcoholic father stands in her way.

"My name is Simeon the Madman. From now on, I will only speak my true language. I will go back to the city I remember and with the power of God, I will mock the world".

A mother loses her daughter to femicide. Instead of reacting with rage against the world, she mourns in her own different way: by going out, speaking publicly, and fighting to trade love for patriarchy for the sake of our society. By interweaving every-day moments with the story of our protagonist, the film tries to describe the banality of this evil. Mothers of Daughters pushes the boundaries of documentary filmmaking by poetically and sensitively trying to find imagery for this unbelievable story, that could happen to any of us.

A devoted but underappreciated housewife's brief taste of autonomy as a mall cleaner (where she is a popular, model employee) is threatened by pending layoffs.

Running away on the highway, Maria is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue.

Τwo sisters from the island of Andros, dubbed Little England because of its affluence, are both in love with the same man. Set in the Greek Civil War period and ending in the 1950s, the movie is based on the homonymous novel by Ioanna Karystiani.

Today is Tuesday but Iro is not at school. Instead she's at home and she's ready to set off on a Journey with her mom and a Super Hero towards Lake Stymphalia.

Argyris is an elderly man in the first stage of dementia. When his symptoms worsen, he decides with his daughter, Sophie, to enter a nursing home. The last days of his freedom, Argyris wanders around the city, meeting old friends while having a secret plan. He wants to get a revolver.

Elias dreams of building a boat from scrap metal, chasing the shadow of his sailor father’s legacy. But as his creation crumbles, so does the myth he’s built around himself—forcing him to confront the fragile truth of who he really is.

Cousins Chatila and Reda are saving to pay for fake passports to get out of Athens. When Reda loses their hard-earned cash to his drug addiction, Chatila hatches an extreme plan to pose as smugglers in an attempt to get them out of their desperate situation before it is too late.