Lemonia wants to escape , from a traumatic, force of violence against her, that violates her right to life, as well as the right to enjoy life without discrimination. And she demands an end to a situation that tests and undermines democracy and culture.

Makis , a man with difficulties in the stock market, falls for Roula , who is the mistress of a big tycoon , which Makis has invested in. Makis becomes witness to an assassination gone wrong. The police are after him thinking he is the shooter but the real assassin is after Makis to recruit him to his terrorist beliefs. The only comfort Makis can find is Roula who follows him on his deadly adventure.

The world of adults through the eyes of a child: Intrigues, joyous breaks, illusory and conflicting interests, misunderstood pursuit of love, gestures of affection, dull faces, all make up the background of 7 years - the pinnacle of kitsch - captured on an old-fashioned movie poster at the edge of a dirt road in Thriasio Pedio.

Savvas is a doorman in a fashionable Athens club, but after years of nightlife he is going through his “midlife crisis” at 30! On Christmas Eve he meets Lia, the daughter of an infamous big businessman, whom Savvas sees as his “other half”. A confirmed atheist up till now, Savvas starts to interpret various coincidences as divine signs. When he decides that Lia’s father is to blame for her S&M proclivities, God arms his hand with a 45mm gun.

The hot summer of '98. The "TITANIC" was on top... SEMITIS was at the bottom... But then the two abstract concepts turned upside down and tied themselves together like a knot. This is how the Karavi project came about. "Simititanic." The only "project" of public interest that was constructed in Greece without... a starter motor. It was made exclusively from transparent, traditional, pure inspection materials... such as satire, laughter, humor, and music. It is a project that calls a spade a spade. It vertically restructures the structures of inspection and horizontally probes the schizophrenia of the modern Greek, deeply marking the "Is" and "Appears" of our socio-political "Becoming."