Misha (Stephen Papps), a once celebrated filmmaker who has fallen on hard times, resolves to leave his homeland in search of a film-friendly country where he can pursue his career. With his wife Nadia (Elena Stejko) in tow he sets sail from Russia in a tiny lifeboat, drifting cross the Pacific to finally arrive in New Zealand. Before long Misha realises that New Zealand is no more receptive to his ideas and aesthetic than Russia. Yet he perseveres with his experimental film, ignoring his wife’s pleas to find work. Misha increasingly withdraws into himself, and his relationship with Nadia collapses. Alone, his obsessions take hold and he steadily descends into madness. Only a chance encounter with a young Polynesian woman saves him from the ultimate act of self-destruction. His friendship with Roseanna (Stephanie Tauevihi) inspires a re-awakening, as he begins to reconnect with the world around him.

Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.

There is a story of a grand love torn apart by the Russo-Japanese War. It is an incomparable love story, crossing the borders of Russia and Japan and surmounting fifty years time. The true story of one woman who continued to wait because she loved, and one woman who said farewell because she loved. And a man who, bolstered by the love of these two women, struggled through the most extreme of circumstances and survived.