James Earl Jones narrates this fascinating and moving documentary about the life of the assassinated black leader through various sources.

Through a secret program called the Counter Intelligence Program (COINTELPRO), there was a concerted effort to subvert the will of the people to avoid the rise "of a Black Messiah" that would mobilize the African-American community into a meaningful political force. This documentary establishes historical perspective on the measures initiated by J. Edgar Hoover and the FBI which aimed to discredit black political figures and forces of the late 1960's and early 1970's. Combining declassified documents, interviews, rare footage and exhaustive research, it investigates the government's role in the assassinations of Malcolm X, Fred Hampton, and Martin Luther King Jr. Were the murders the result of this concerted effort to avoid "a Black Messiah"?

Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.

A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention.

A compelling document of the Black Panther Party leadership in 1967. This film contains a prison interview with Minister of Defense Huey P. Newton as well as an interview with Minister of Information Eldridge Cleaver, footage of the aftermath of the police assault against the Los Angeles Chapter headquarters, demonstrations to free Huey at Hutton Memorial Park and the Alameda County Court House and a recitation of the party's Ten-Point Platform by co-founder Bobby Seale. Newsreel's 19th, and one of their most widely distributed films, it was originally released as "Off the Pig," but has since seen release under the name Black Panther. This short film features drawings from activist artist Emory Douglas.

The portrait of Eldridge Cleaver, the "Minister of Information" for the Black Panthers movement, in exile in Algiers.

An absolute unknown work among Marker’s collaborations, made by filmmakers Bill Stephens, Paul and Carole Roussopoulas with Eldridge and Kathleen Cleaver, Congo Oyé was never completed and long-believed lost by all involved.

The story of how the radical Huey P. Newton developed the Black Panther Party based on his 10-point program for social reform.

This special three-part presentation of "Like It Is" examines the history of the black civil rights movement in the United States, emphasizing the role of black leaders and activists. Including the defected FBi-agent "Othello" Darthard Perry tells it all.

The important L.A. Newsreel film about the Black Panthers that was rediscovered and written about by USC professor David James. Featured in the film is rare footage of many of the important West Coast Panthers such as Masai Hewitt, David Hilliard, Alprentice “Bunchy” Carter, Eldridge Cleaver, John Huggins, and as well as footage of the aftermath of the LAPD raid on the Los Angeles Panther Headquarters. Musically the film begins with the opening jazz music by Ornette Coleman and later features the call to arms anthem, “The End of Silence” written and sung by Panther Elaine Brown.