In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

This film is a documentary about the poet Leopoldo Panero. His widow and his sons talk about death in general in this special case, and also about their own family problems.

What does it mean to look back? Where do we look back from? Juxtaposing extracts from the play Black Henry (2018) by Filipino-American playwright Luis Francia with locations of Basque colonial history, ‘They Speak Too’ attempts to make apparent the spectre of empire as it exists in the Basque Country. Reading these extracts translated into Spanish, filmmaker Anna de Guia-Eriksson introduces a dialogue between language, forms of registry and the physical manifestations of history, which her own person as a Filipino is included.

After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during a protest against the closure. José is bitter that his wife, Ana, is employed when he is not.

After years in prison, a gang of criminals are deported from Bavaria and arrive as free immigrants to America. They kill an Indian by accident and do different jobs such as cleaning latrines, until they get installed in an abandoned house next to an Indian woman. One day someone will propose to perpetrate a robbery ...

Ana is a journalist taken by her work to all sorts of different places the world over. Ever since her youth, influenced by her father, the Universal Declaration of Human Rights and its contents have been a place from which she observes the individual and collective behavior of human development. She is also an expert in new technologies applied to communication. This circumstance, combined with her desire to improve human relations, leads her to draw up a document uncovering the terrible failures to observe Human Rights.

This documentary looks at "the back of the world": small children working as quarrymen in Peru, Kurdish political refugees from Turkey, and families and inmates awaiting the end on Mississippi's Death Row.

Barcelona in the early sixties: black and white chronicle of the ups and downs in the relationship of several young couples of the Catalan bourgeoisie during the time between two Saint John's eve festivals.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

Carlos is a young student, just 21. Nice or annoying as he likes, enjoys provoking and transgreding. In the night he goes out to meet his friends in the Kronen, a bar. Every situation can be taken a little farther. There are no limits, no accepted barriers. And more each time, each adventure is chained to the next, as if it were a continuous night. A long description of people: grandfather, parents, sister, girlfriend, friends. And, among that, the obscure will of living every minute as if it were the last one. But something which happens puts Carlos and his friend against a reality they have been trying to ignore.