Kyoko and her mother Yuki returned to their hometown of Fukui. Yuki runs a dressmaker's store in the city, and Kyoko has taken a job as a nurse at a prefectural hospital. The film depicts the daughter's attempt to grow from adolescence to adulthood in a family of one mother and one daughter, and her emotional exchange with her mother against the backdrop of the harsh natural environment.

1962 Japanese movie

Keiko is pretty and intelligent but her home life is not a happy one. Never having known a father's love, she develops a possessive attachment to Mr. Mazaki, the new mathematics teacher.

1962 Japanese movie

1962 Japanese movie

A sniper kills two prisoners in a police van, and the driver sets out to find the killer.

A newspaper reporter's search for his girlfriend's missing father lead him into heart of the criminal underworld of Yokohama's Chinatown.

Everything goes wrong when Jiro tries to break up his mother's relationship with a business man. The young rebel Jiro has to deal with an environment of crime and prostitution, and the impact of its choices on personal relationships: one with his mother, one with her business man lover and one with the girl in love with him.

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.