Diana, a woman in her early 40s, struggles to end an abusive relationship with her husband while also trying to protect the only possession their family have left – an apartment in a luxurious part of the city. As the couple’s daughter Astra gets involved in the conflict, Diana will have to make a choice between Astra’s wellbeing and her own goals and convictions.

One night, Matiss Zelcs, an employee of the Latvian national archive in Riga, notices a woman on a bridge. After passing by her without preventing her suicidal fall into the depths, a sensation of failure and guilt changes his life. He cannot forget her. Driven by a feeling of remorse and the fever of illusion, he roams through the city night and day looking for traces of her existence. This journey through the tumult of his conscience leads him deeper into his own loneliness and the depths of his soul, as he gets more and more entangled in the destinies of the woman and of the people who were attached to her. He finds himself confronted with the pain of yearning and guilt, the cruelty of love and desire, and the search for forgiveness, release and salvation.

Artis Baranovskis is a "registrator". He helps his clients by setting up fake companies. An hour before leaving to his own wedding, Artis has to find Jana, who's a fake shareholder of a company with a million euros on its account. Once she's found and her looks changed to those of a rich lady, Jana realizes her power and starts to play her own game.

A film about the outstanding Latvian film director Juris Podnieks, who during his lifetime gained the fame of a fighter for justice and an "eye-opener". Podnieks has created testimonies about the most important events of the twentieth century in the post-Soviet territory. He always saw a bigger picture, it was not just Latvia what interested him. His ability to cover such a wide spectrum of themes - wars, lost freedom of his own country, the Soviet regime and its collapse, young people, artists. But most importantly, he was always focusing on the human soul. Juris creates an emotional bond between the author and his characters, the characters and the viewer - he was talking to each individual. Perhaps this is why his films made such an effect on the viewer. Juris Podnieks has clearly been able to influence millions of viewers with his films. Juris himself died in the summer of 1992 in a diving accident. Did he manage to fulfill his mission in this life?

Alicija (33), a Polish-born liberal free-thinker, joins the Awakening movement in occupied Latvia. Her newlywed husband Ilgvars (53), a man with the experience of another generation, calls her to be more careful and cautious. With the support of a close friend, the poet Normunds (40), Alicija soon comes to the forefront of the Singing Revolution. However, alongside the first success, difficulties appear – Alicija receives an anonymous letter accusing Ilgvars of being a former KGB informant. His ambiguous answer leads to her wanting to find out the truth. Realizing that her husband’s actions in the KGB have affected the fate of her close friend, Alicija faces an unenviable choice. Torn by internal contradictions, she continues her work to restore the country’s independence, unable to find courage to resolve the situation. Alicija buries herself in her work and the emotional connection with her husband gradually fades away.

On his deathbed, the reigning king bestows power to an unexpected heir who must find strength within himself to unite his people against the violent crusades which threaten their freedom.

In one long take lasting nearly an hour and a half, three well-known Latvian actors re-stage scenes from renowned Soviet Latvian movies made under the Riga Film Studio. As they progress from film to film, their re-enactments lead them to discover the undeniably funny personalities and unbelievable circumstances under which these films were made. Blending documentary, theatre and fiction film, this is a comedy about the cinema and the actor, and a heartfelt homage to the Riga Film Studio.

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, the boy decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. The only person Markuss can relate to is an old sailor living in the nearby woods. They inspire each other and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.

Ingus is a man around forty, utterly happy with his bachelor life, until one day chatty Žanete moves in next door and upsets the usual course of things. He might, of course, ignore her, but some overwhelming force makes him act differently.

Three unrelated sci-fi stories that depict people’s search for happiness.