The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France

With archival footage from INA commented on by political figures, this documentary traces the history of the debate that has divided the left over secularism, from the emergence of a militant Islam in the late 1980s.

A handful of student revolutionaries from the Seventies meet up 30 years later to plan a robbery. This is not entirely correct, because they are friends, anyway, and always have been. They play cards together and go to each others’ birthday parties, have wives and children and probably mortgages. Romain Goupil’s film appears to be a throwback to the experimental days of cinema verite. Either that or it’s a home movie, shot with a video camera, to an improvised script or no script at all.

Naruna Kaplan de Macedo set up her camera in the editorial offices of the online newspaper Mediapart, before, during and after the 2017 French presidential election, to follow the daily lives of those who work there. Against the backdrop of some of the cases that shook French political life, the film gives us an unprecedented behind-the-scenes look at a certain kind of investigative journalism.