Experimental film

The filmmaker travels by train from France to Berlin. In six short chapters, we see the journey and the city. These are short still lives that remove the sense of anonymity from the everyday.

The filmmaker travels by train from France to Berlin. In six short chapters, we see the journey and the city. These are short still lives that remove the sense of anonymity from the everyday.

The filmmaker travels by train from France to Berlin. In six short chapters, we see the journey and the city. These are short still lives that remove the sense of anonymity from the everyday.

The filmmaker travels by train from France to Berlin. In six short chapters, we see the journey and the city. These are short still lives that remove the sense of anonymity from the everyday.

Performance by Edward Luyken in his Paris home. Luyken wears overalls like those worn by German tank soldiers. First he plays with a kind of amulet, then he makes small objects by stacking and sliding together clumps of various sizes. This activity is intermittently interrupted when Luyken has to rewind the spring of his camera every twenty seconds.

Performance by Edward Luyken in his Paris home. Luyken wears overalls like those worn by German tank soldiers. First he plays with a kind of amulet, then he makes small objects by stacking and sliding together clumps of various sizes. This activity is intermittently interrupted when Luyken has to rewind the spring of his camera every twenty seconds.

Performance by Edward Luyken in his Paris home. Luyken wears overalls like those worn by German tank soldiers. First he plays with a kind of amulet, then he makes small objects by stacking and sliding together clumps of various sizes. This activity is intermittently interrupted when Luyken has to rewind the spring of his camera every twenty seconds.

Performance by Edward Luyken in his Paris home. Luyken wears overalls like those worn by German tank soldiers. First he plays with a kind of amulet, then he makes small objects by stacking and sliding together clumps of various sizes. This activity is intermittently interrupted when Luyken has to rewind the spring of his camera every twenty seconds.

This film is composed of ten films, some of which originally intended for display on three screens at once; the first was Berlino-Milan-Lisboa ; a film about Berlin in the middle of Milan right and left of Lisbon; with three audio tracks, front, and two each coming from a back corner. The other three-screen films had different lengths, one called Autobiography , with pictures of the creator and his parents, and another called Pieds rouges . The film also includes footage recorded in Bath, England, where Luyken once had a studio.