August 1st, somewhere in the Aubonne countryside, Cécile and her ten-year-old daughter Marion have just acquired an old 1970’s Ford Taunus estate car. But the roads through the region at the heart of the north shore of Lake Geneva are much longer and strewn with pitfalls than would appear and their voyage is delayed incessantly. Perhaps, however, the way ahead will open up for Cécile and Marion once the problems have been solved. As far as the moon.

Ken Russell is often cited as one of the fathers of the music video, with Tommy (1975) widely recognised as one of the pivotal works in the development of the form. However, as the far more obscure Monitor item London Moods from 1961 proves, he was experimenting with non-narrative illustrations of pre-recorded music fourteen years earlier.

This film captures Rattle's very first performance as Music Director; a programme in which British composers took centre-stage. The world-premiere of Helen Grime's Fanfares, which became the first movement of the work Woven Space, opened the concert before violinist Christian Tetzlaff took to the stage to perform the concerto written for him in 2010 by Harrison Birtwistle. Two more works close to Rattle's heart followed: Thomas Adès' Asyla and the pocket-sized Symphony No 3 by the late Oliver Knussen. Finally, Rattle's stunning interpretation of the Enigma Variations brought the concert to a close and then the audience to its feet, filling the Barbican Hall with rapturous applause.

Blending lively music and brilliant animation, this sequel to the original 'Fantasia' restores 'The Sorcerer's Apprentice' and adds seven new shorts.

At a late-night meeting with nine colleagues, James, an executive of some sort, wants action to avoid their potential loss of millions of pounds daily. He throws a tantrum when one man, Bill, urges caution instead of action. Jim leaves the meeting and, while driving to his office, has a mobile phone conversation with Bill. Something unexpected happens and Bill suddenly has a great deal of leverage. A power play ensues, and things become clearer at press conference the next morning.

From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.

Newman's poem tells the story of a soul's journey through death, and provides a meditation on the unseen world of Roman Catholic theology. Gerontius (a name derived from the Greek word geron, "old man") is a devout Everyman. Elgar's setting uses most of the text of the first part of the poem, which takes place on Earth, but omits many of the more meditative sections of the much longer, otherworldly second part, tightening the narrative flow.

Wolfgang Emanuel Schmidt performs Elgar's Cello Concerto alongside the Frankfurt Radio Symphony Orchestra and conductor Michael Sanderling. This concert at the Forum Casals concludes the 2025 edition of the Kronberg Festival.

To mark the 140th anniversary of the organ at Riga Cathedral, Latvian organist Iveta Apkalna and the Latvian Choir are presenting a concert combining classical works (Johann Sebastian Bach, Franz Liszt) and contemporary pieces (Sven-David Sandström), showcasing the rich sound of this exceptional instrument.

The Orchestra of the Accademia Nazionale di Santa Cecilia, conducted by Daniel Harding, presents Brahms’ Piano Concerto No. 1 with Igor Levit, a masterful interpreter of this repertoire. The program concludes with Elgar’s Enigma Variations, a poetic and ironic portrait of the English spirit.