Assigned to South America, US official Philip Michael Santore is employed by a counterinsurgency agency. His position makes him a target for a local band of guerrillas, and, before long, Santore is kidnapped. As a prisoner, he undergoes interrogation, shedding light on the violent situation in the country. Once the insurgents are done with their questioning, they must decide whether Santore lives or dies.

The characters are refugees from the war who have arrived in America. Ricardo Moller is a scientist who the war has left sexually mutilated, while Arturo Gonzálvez is a professor who believes that another passenger is insane, unaware that she is his wife accompanied by their children.

A young teen has been raised by a despotic mother overcome with religious zeal and a father who rules over the household with a heavy, iron hand. Forcibly kept innocent of the sexual nuances of some adult relationships, she is not too clear on her rights, his intentions, or the consequences when her father's best friend starts to lust after her.

In a fishing village a young woman carries the guilt of her married sister, passing through the mother of her son.

An actor argues with his wife and she decides to leave. The day after learning of the mysterious death of his wife in Viña del Mar, he hires a detective to find the murderer.

With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.

The extramarital love of a doctor and a woman who ends up killing her husband.