There is a house by the river. In this house, a woman. Her eyes carry a sadness. In her solitude, the river becomes her main companion, her confidant, and finally her lover.

There is a house by the river. In this house, a woman. Her eyes carry a sadness. In her solitude, the river becomes her main companion, her confidant, and finally her lover.

Jaiane now lives in Brazil, while Aissa, a Mozambican sailor who has just arrived in the city, tries to have a real experience on dry land. A story of unconventional passion follows.

The lives of Luhli and Lucina, two especially important artists in the alternative cultural scene during the 1970s. In a time when transgression, love and peace guided behavior, we discover the love of two women for art, their spiritual universe, their lives in community and their three-way relationship with photographer Luiz Fernando Borges da Fonseca.

The lives of Luhli and Lucina, two especially important artists in the alternative cultural scene during the 1970s. In a time when transgression, love and peace guided behavior, we discover the love of two women for art, their spiritual universe, their lives in community and their three-way relationship with photographer Luiz Fernando Borges da Fonseca.

ABYSSAL FISH is a creative film in the border between fiction, real and performance through the artistic work of Luís Capucho. A singular artist who survived the time when the HIV represented the death stigma. Building an amazing work of poetic power post­disease, Capucho surpasses the physical sequels that have left him mute and without part of his body movements for a while, until the current partial recovery.

Violeta is a married dentist on a normal working day. While listening to a message left on the cell she enters in despair. The message of her husband, Djalma, says he is leaving her and going to another city.

Jaiane now lives in Brazil, while Aissa, a Mozambican sailor who has just arrived in the city, tries to have a real experience on dry land. A story of unconventional passion follows.

An homage to master Eduardo Coutinho, a Brazilian documentary filmmaker who recorded several interviews in the famous Master Building 20 years ago. Paz Encina searches for traces of Coutinho's still strong presence in the setting/object of his feature film, sewing an affectionate letter from the encounter with this space — and its current residents — and dialoguing with the voids, ghosts and memories of a film and a place.