A French adventurer fights to save a woman in the life of prostitution.

A man swallows a diamond - and suddenly all people around him change their attitude towards him.

If watching a fellow facing indifference/rejection in the slums of Berlin didn't convey enough pathos, Gerhard Lamprecht gathered much of the same crew from Die Verrufenen and turned his attention to the city's population of unwanted children for the heart-tugging Die Unehelichen, released the following year. The trio of foster children at the center of Die Verrufenen are survivors who use their own resourcefulness to get by when the kids' guardians and the system itself let them down.

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.

It was not just the children who were treated badly by the wealthy Weimar republic. Robert Kramer is released from prison but struggles to adjust to civilian life. His father disowns him, his wife has left him for another man. There is no work. He eventually arrives in a shelter for the homeless, and seeks salvation through Emma, a prostitute.

In the very old-fashioned town of Ostend suddenly 13 suitcases are delivered to the Grand Hotel, with a note, that O.F. will be here soon and needs 6 rooms. This event, probably the biggest in 300 years, starts a small wave of modernisation, yet everybody is wondering who O.F. is.

Silent epic on the final years of Frederick II.