The country estate of American emigre Abel Bellamy is haunted by the ghost of the Green Archer, a 14th century Robin Hood type figure who terrorised the former lords of the manor. Now, with the gangster coming home on vaguely defined business and his niece Valerie arriving with her adoptive father to take up residence in the adjacent mansion, much to Bellamy's annoyance, the archer has returned. Who is he and what does he want?

Meier, a paperhanger in East Berlin, inherits from his father in West Berlin. With this money he wants to fulfil himself the dream of his life: a journey around the world. He buys a forged West German passport and pretends to go on a trip to Bulgaria while he really is off to see the free world. When he wants to return to East Berlin he finds himself in an unbelievable predicament and his double life begins. He can't keep away from his East German friends. As with all the best comedies, the action builds up to an eventual crisis. It's a light comedy, which won several national Film Academy Awards. The film is very political, with lots of political jokes/innuendos which only Germans will understand. One is left feeling what a total obscenity that stupid Wall was, dividing one people for 30 years (1-2 Generations) simply by the coincidence on where you just happen to be in the early morning on the 13th August 1961.

Tomas and his friends are happy in their town and school but must face the fact that some of the adults around are preparing to leave GDR and move to West Germany.

Willi Böck never wanted trouble—he just wanted a quiet life. But when his clumsy antics and well-meaning schemes go hilariously wrong, chaos follows at every turn. From workplace disasters to personal mishaps, Willi's life is a rollercoaster of misunderstandings, slapstick, and pure comedic gold. Can he ever catch a break, or is he doomed to be his own worst enemy?

Combining archival footage with dramatized episodes based on real accounts, this film examines everyday life in Nazi Germany through the experiences of ordinary citizens. Directed by Eberhard Itzenplitz and Erwin Leiser, it traces how conformity, opportunism, fear, and routine compromise drew “ordinary” men and women into complicity with the regime, revealing the banality of evil at work in daily life.