Tu Harimau, shot on coarse-grained black-and-white film during a trip to Malaysia, is a portrait of Edi Purnomo. Copony accompanies the local rubber tapper at work, a task in the jungle that essentially involves listening to the surroundings. We see him exploring the forest, collecting, waiting, and smoking. As he leans against a tree trunk and the shadows of the fan-like foliage cast tiger stripes across his face, the camouflage blends with the beginning of a transformation.

Melati and Jati's household, which has been built for seven years, is facing a storm. Tired of being the backbone of the family because Jati is reluctant to look for work, Melati is determined to divorce her husband. However, on the eve of Eid, the request of Melati's mother, who suffers from dementia, to celebrate Eid together postponed their divorce. Will they get back together or is separation inevitable?