
Acting
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Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

The new film by César González follows a maintenance employee at a printing house whose routine, almost as automatic as the movements of the company machines, is altered when she makes a decision that threatens both her job and her everyday life in the neighborhood.

In some vacant area in the Buenos Aires province, Diego is taking part in a radio contest that consists of answering a series of questions about his beloved team Racing Club. Meanwhile, in the blink of an eye, a man falls from the sky on the hood of his car, another man ends up gagged in the trunk, a secret agent shows up weapon in hand and a plane crashes just meters away.

Set in the cosmopolitan Buenos Aires City and inspired by true stories of male sex workers, Boy follows Franco, an escort with an extraordinary life, for one night.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

Buenos Aires. It rains. Alma is in her car, stuck in Buenos Aires' traffic. She has recently broken-up with her boyfriend, and she has been living in her little car since then. Suddenly, Roberto gets into the car. He's wet and hurt, he's tired of the rain, of broken dreams. He has come back after thirty years abroad. In this new city he has nothing and nobody, just a father in coma, whom he has no relationship. He promises to leave the car as soon as the rain ceases. Alma, not knowing exactly why lets him in. That night will be different. And the next few days too. There's something new to find in the depth of their hearts.

She Wolf is a serial killer who traps her men in the subway in Buenos Aires. She seduces, has sex with them and kills them. But one of those men is a police officer who is investigating her crimes. Running away from him she meets a dealer with whom she stars a relationship. This romance unravels a war between her three personalities: the monster woman, the sensual woman and the human woman who can still love.
A junior screenwriter called Juan Garofalo is hired by film director Samuel Goldszer to write his new film: a gangster movie set in Buenos Aires. In each meeting, the filmmakers create a story that takes place in an imaginary Pompeya neighborhood. So the characters are born: Dylan, the brutal hero of the underworld, Timmy, his disturbed, deaf-mute brother, and Lana, the femme fatale who begins the love triangle. But Pompeya hides a secret and is disputed by the Russian and Korean mafia, and Dylan is caught in a sequence of bloody crimes. Dylan fights for survival while Juan, his creator, lives with greed and misery the experience of an imaginary system of evil powers. And when pure fiction and reality are completely corrupted, the unexpected happens.

Buenos Aires, during the summer heart, in gated communities surrounded by wastelands covered with trash. The barking of stray dogs, repeated power outages, and uncontrollable clouds of smoke drive the inhabitants to confront their most primitive instincts.

Martin moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having sex. Sometimes he’s paying and sometimes his trans sex-worker friend or another woman takes him along for a threesome.

Martin moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having sex. Sometimes he’s paying and sometimes his trans sex-worker friend or another woman takes him along for a threesome.

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

A woman visits her boyfriend, locked up in a prison a few hours’ drive away from Buenos Aires. Each week, she manages as best as she can to accomplish her mission: provide her boyfriend food, drugs and love. In an exercise of visceral realism, Edgardo Castro constructs a harrowing love story with Las Ranas.

A woman visits her boyfriend, locked up in a prison a few hours’ drive away from Buenos Aires. Each week, she manages as best as she can to accomplish her mission: provide her boyfriend food, drugs and love. In an exercise of visceral realism, Edgardo Castro constructs a harrowing love story with Las Ranas.

A woman visits her boyfriend, locked up in a prison a few hours’ drive away from Buenos Aires. Each week, she manages as best as she can to accomplish her mission: provide her boyfriend food, drugs and love. In an exercise of visceral realism, Edgardo Castro constructs a harrowing love story with Las Ranas.

A woman visits her boyfriend, locked up in a prison a few hours’ drive away from Buenos Aires. Each week, she manages as best as she can to accomplish her mission: provide her boyfriend food, drugs and love. In an exercise of visceral realism, Edgardo Castro constructs a harrowing love story with Las Ranas.
