Directing
Edgar Reitz is a German film director and writer, best known for his "Heimat" trilogy.
In the summer of 1967, journalist Katharina is visited in Munich by her French friend Anne. They take day trips and visit cafés, acquaintances, and parties. In a series of conversations between them and other women, they talk about the chances for female emancipation in a male-dominated society.
A meditation on the first 100 years of German cinema, featuring an assembly of German filmmakers.
A documentary by Hans Günther Pflaum and Peter H. Schröder.
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
Documentary by Wilhelm Roth about the state of affairs of the Young German Cinema.
A study of Alexander Kluge that also emulates his technique of seeking and linking. Kluge reads aloud, Kluge recounts, including stories from his childhood and youth, from the bombing of Halberstadt, his home town. “What you don’t understand as a child you will contemplate for the rest of your life.” Kluge does this as the author of films, books, TV programs. He has always had several professions at once. He is a legal advisor, director, author, founder of the television production company DCTP, and person in charge of its culture magazines. But if you think that these are all different jobs, you’re mistaken.
Anna Hepp meets with renowned German director Edgar Reitz in one of Germany’s most famous cinemas: the Lichtburg in Essen. Reitz talks about his life, his view of art and his sometimes philosophical viewpoint.
For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.
In 1968, the young Edgar Reitz teaches filmmaking at a girls’ school – a ground-breaking educational experiment. Fifty-five years later, there is a class reunion.
Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.
In July 1945, US troops are leaving Saxony and Thuringia while the Red Army takes control of the territories. In a small village near Leipzig, the inhabitants try to adjust to the new authority.
Follow-up to the TV trilogy “Heimat”, this time for cinemas, set again in the fictional village Schabbach in the Hunsrück region of Rhineland-Palatinate.
The story of a gold smith who is so obsessed with his own craft that he murders his customers.
Documentary, trying to catch up with the latest developments in the field of communication.
Two women during WW2 living in a Hunsrück village embark on a trip to Vienna.