Rosa von Praunheim, the director of the film, parodies himself and his time as a professor at the Film School in Potsdam Babelsberg, where he taught for six years.

“Congratulations, you’re pregnant!” Lara can hardly believe what the doctor has just told her. The 25-year-old spends her nights hanging around Berlin with best friend Nora, having lost interest in her architectural studies long ago. She has no idea what to do with her life – she does a lot, but nothing properly. She now finds herself pregnant after a night of passion with a charming barman she met at a party. Nora is thrilled by the news though, proclaiming: “we’re having a baby!” After some initial doubts, Lara too begins to see her pregnancy as a chance. Together with Nora, she sets about painting the nursery and goes in search of the baby’s father. Then the gynaecologist gives Lara some bad news…

Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.

Eleven young people live in a city. It is midsummer. This is the starting point of the escalation of seemingly harmonious relationships. A postmodern urban fairy tale about loneliness of dependency. About the question of what is greater, freedom or love.

Luisa, a 20-year-old law student, joins a cell of the Antifa group when she and her friends Alfa and Lenor get to know about an upcoming attack planned by a local neo-Nazi gang. As they try to find out more, the three youngsters delve deeper into the scene linked to right-wing movements and their political connections, to the point where they will understand how much they are willing to go further, in order to defend their own beliefs.