Ebrahim Moradi

Directing

Biography

Ebrahim Moradi (Persian: ابراهیم مرادی) (1978 - 1907) was an Iranian screenwriter, director, producer, cinematographer, actor and one of the pioneers of Iranian cinema. Moradi is one of the three or four artists whose names Iranian cinema begins with. In the First Filmmaking Period (1930s), when Iranian cinema was "slow-moving", Moradi was in the ranks of a small but tasteful group of cinema activists. Out of a total of 9 films of this period, two films were made by him: Revenge of the Brother and The Fickle.

Filmography Movies

Acting

MOVIE

Iranian Cinema: from Constitutionalism to Sepanta

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Iranian Cinema from Constitutionalism to Sepanta is a documentary film directed and written by Mohammad Tahaminejad, a contemporary Iranian historian, critic and documentary filmmaker. This film tells the story of the arrival of "film" in Iran and the formation of "cinema" from the constitutional period to the filmmaking of Abdolhossein Spanta in India.

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Iranian Cinema: from Constitutionalism to Sepanta

Himself

Production

MOVIE

A Brother's Revenge

9.0(0.0K)

Two brothers fall for the same girl, though she loves the older brother. Through trickery, the older brother isn't able to reach his beloved and dies of heart brokenness. The younger brother, seemingly happy with this fate, seeks to woo the girl but is faced with the ghost of his older brother.

One of the Khan's sons notices a girl in the local market and chooses to marry her.

The Fickle

7.0(0.0K)

One of the Khan's sons notices a girl in the local market and chooses to marry her.

The Fickle

7.0(0.0K)

One of the Khan's sons notices a girl in the local market and chooses to marry her.

Haji Agha, the Cinema Actor

5.8(0.0K)

A director (Ovanes Ohanian) looks for a subject for his movie and someone suggests that he films Haji Agha secretly. Haji is very rich and frowns upon cinema. Haji's daughter, son-in-law, and servant help the director with the film as well. Haji's watch gets lost, and he suspects his servant. Haji and his son-in-law start chasing him. At first, they tail him to the dentist's, and then they meet a fakir who claims he can find the lost watch. He does some strange things. The director photographs Haji all the time. Then Haji watches the film and becomes aware of the true merits of cinema.

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Haji Agha, the Cinema Actor

Cinematography