After being buried in quicksand for the past 25 years, Kharis is set free to roam the rural bayous of Louisiana, as is the soul of his beloved Princess Ananka, still housed in the body of Amina Mansouri, who seeks help and protection at a swamp draining project.

The plot of this film really isn't that important. Instead, the sight gags and chase scenes are paramount--with some of the most impressive chase footage you'll ever see. All the near-misses with the speeding train were amazing and the scene where the car gets smashed by the truck are absolutely priceless.

Bang! is a 1921 silent comedy

Golf, we discover in this early Semon short, is a game that is played by striking a croquet ball with a hockey stick and seeing how many times it can hit Larry Semon.

Loafers and Lovers is a 1920 silent comedy short.

While Larry Semon does not star in Rips and Rushes, its confident gags and frenetic pace suggest his touch. In the knockabout one-reeler set in a dance studio, three suitors compete for the girl. James Aubrey, the actor playing the father’s preferred suitor, may look like a Chaplin imitator, but he came by those skills honorably, born like Chaplin in Britain and likewise coming to the U.S. with Fred Karno’s troupe. Nevertheless it’s Alice Mann, with her wacky headdress and knowing glance, who steals the show. Suffice it to say that many vases are broken and pants ripped before she escapes out the window with the handsomest of the beaus.

Two close office pals, Craig and Hessert, fall for the same stenographer. Craig marries her, but their friendship continues, leading Craig to move Hessert in. However, Craig's deep focus on his job causes problems, creating "havoc" at home, though the rivalry doesn't break their bond.

Larry Semon produces his take on a typical Keystone farce, the flirting-in-the-park routine, where pretty Florence Curtis is pursued by four typical Keystone types: the wealthy geezer, the moustachioed Italian, the derby-wearing tough and, of course, the big-footed cop… and here comes Larry, if not to save the day, at least to make us laugh.

Brushsky, the famous color slinger, guards his prize model from the other artists. She is stolen and sent to the Model Supply Company. Joe and Monty, two ex-porters, importing artists' models, find it somewhat difficult to fill a regular customer's order, when they receive a letter from Brushsky offering a large reward for the return of his model, who he describes as having a birth-mark on her left shoulder.

The proprietors of a hairdressing and beauty emporium and the neighboring delicatessen battle over everything including the hairdresser's love of the deli owner's daughter.