During World War II, a young man and woman are separated by chance. Fifty years later, they are still searching for each other, hoping to meet again.

Three sisters, dead broke and disconnected from each other, travel around Europe with their mother’s corpse on top of their van, trying to minimize transportation costs. The trio has to talk, reminisce and maybe even admit that underneath their fantasies of perfection — these are women in a desperate search for freedom.

A love triangle - a terminally ill university teacher, a blind girl and a young bard. In the background of it all - the wild arrival of the capitalism, political conflicts, city life and the beautiful nature of Latvia. In the end love will conquer everything, though not everybody will live to witness that.

They met on Christmas Eve, beyond one's usual living-space: at the morgue. In an outburst of feelings, they try to manipulate each other in order to get what they want. She wants him, but he wants to vanish – following the rules of black comedy, neither one of them will get anything.

The elderly nursing home residents for years feel worthless and troublesome. But then a crazy idea strikes them - to waive their pensions and enroll in the army as volunteers thus saving the country from financial crisis and spending excitingly the last years of their lives. The oldies are wise enough at organizing this event and now real adventures begin.

Latvia is governed by a strange ruler with a pig’s snout who calls himself Mr. Snout. Loath to being filmed himself and to filmmaking in general, he has locked up all positive heroes in an effort to prevent filming from taking place. The few survivors hope for the return of the Latvian folk hero Bear-slayer, who vanished into the river many centuries ago. In these harsh times, Bear-slayer rises from the water again to fight Mr. Snout. This film is a criticism of how the inaction of the Latvian government has brought Latvian filmmaking close to extinction.

In the near future of 2012, the government asks for each citizen to have 30 Lats on their credit card. Anybody not having this amount of money is deemed to be maliciously poor and arrested.

Based on a Soviet propaganda story about Young Pioneer (the Soviet equivalent of a Boy Scout) Morozov, who denounced his father to Stalin’s secret police and was in turn killed by his family. His life exemplified the duty of all good Soviet citizens to become informers, at any expense. In our film, 75 years later, we call him little Janis. He is a Pioneer who lives on the Soviet collective farm “Dawn”. His father is an enemy of the farm (and the Soviet system) and plots against it. Little Janis betrays his father; his father takes revenge upon his son. Who then in this old Soviet tale is good and who is bad? This film reveals that a distorted brain is always dangerous. Even today.

The creative documentary Piano Player is a story about the piano player and musician Oscar Strock, who was a well known tango music composer in 1920s Europe. Nobody knew him – only his music was well known. The life of Strock is like a side-show of everlasting debts, long voyages and wild and unlucky love affairs that find their best interpretation through his tango music. The piano player is a man, who barely arranges his life according to the political and economic circumstances in the world. To earn money, he plays for pubs and cinema theatres in Riga, Berlin and Paris, and for lovers, he writes the most romantic tango music.

Four Latvian legionnaires are sentenced to death for deserting the German army. A Latvian girl heads to the German headquarters to try to free her beloved. In the few hours remaining before the execution a love triangle plays out between the girl, a German officer and the prisoner.