Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

Sharon Avery is a blind woman who is having visions of murder. She "sees" children being killed and the face of a serial killer. Everyone around her, including the police are skeptical with the exception of one inspector who has fallen for her.Can she convince them in time to prevent any more murders, including her own?

Funeral director Phil suddenly has to deal with his own sorrow, as his wife passes away. Along with sorrow comes a meeting with the heartbroken daughter Sarah, who Phil has not dealt with in years.

In depression-era Saskatchewan, families took refuge in the magic world of radio. When Grandad's old Marconi is short-circuited by the stingy power company, so begins "the great electrical revolution," and a good-natured comedy that pits the working class against the capitalists.