An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.

The camera follows four people, musicians, on their walk through the city, seemingly in real time. They go through photogenic city squares and streets and end up at the beach.

An experiment with 'anti-language' in detail (in composition, in changing plans, in exposition, etc.). Proof that the general rhythm and those miraculous 'pixels' that are not seen in the projection really mean a lot, if not everything.