Obscuro domínio is a filmed show that commemorates Eugénio de Andrade’s centenary. It is the realisation of his poetics in an open space and in the bodies of three performers and a pianist. It’s a hybrid object that fuses the language of theatre with that of television, and both of them with poetry, materialising themes that run throughout Eugénio de Andrade’s work, such as nature, desire, death and the craft of poetry itself.

Two siblings face their problems and undergo a profound inner transformation at a time when they both rediscover themselves. Lidia struggles to cope with her newborn baby: she can’t handle the expectations, doesn’t recognize her body, and distances herself from home and her boyfriend. Her brother Lauro works in a funeral agency. Divorced with a son, he grapples with accepting his bisexuality. Though the siblings rarely saw each other, their shared challenges bring them closer on a journey of rediscovery and profound inner transformation. The light at the end of the tunnel isn’t an illusion; the tunnel is.

Seven childhood friends, in their mid twenties, honor their annual summer tradition by spending a week in a seaside town, forcing them to confront the memories of a complicated past.

A fine arts student struggles to finish his master's thesis while dealing with his father, an experienced blacksmith, who after visiting a contemporary art museum, decides to become a sculptor.

Accused of adultery, Ana Augusta Plácido and Camilo Castelo Branco were imprisoned for more than a year in the Porto Prison, she in June 1860, he in October of the same year, after an adventurous escape from justice through the lands of the North.