
Directing
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Film director Drahomíra Vihanová is preparing some interviews with two women. The women are at first sight opposites, but in reality they have much in common. Through the interviews the film director hopes to get a deeper understanding of herself as well. What unite all three of them is creativity, what creativity means for women, and how they combine their creative projects with their daily life.
An intimate portrait of a director who devoted her life to film and was willing to sacrifice three marriages and motherhood to her creative passion. Drahomíra Vihanová, like a determined shaman of images, confesses her beliefs, from her initial condemnation by the regime for Zabitá neděle (Slaughtered Sunday, 1969) to the public execution of Zprávy o putování studentů Petra a Jakuba (News of the Wanderings of Students Petr and Jakub, 2002). This existential essay oscillates between contradictions and paradoxes, between documentary and feature film, between invocation, oblivion, and cats.

Fati Farari, a black man from Africa, is completing his studies in classical piano at the Music Academy of Prague. It's the day before his first solo concert, where he is going to play Bach. While he strolls around the city he is thinking, not so much about the concert as about himself, both as a lonely foreigner and as a human being in cosmos. Here and there he encounters some racist comments, but mostly he just feels the weight of social exclusion because of his otherness, especially when it comes to women. On the morning of the day for his concert the embassy informs him that his whole family has perished. He feels totally broken, although he thinks that everyone holds some pain inside. His piano teacher, a professor at the Academy, looks him up, and tells him that he heard what has happened. The professor advises him to communicate his feelings that evening by using his Bach.

Fati Farari, a black man from Africa, is completing his studies in classical piano at the Music Academy of Prague. It's the day before his first solo concert, where he is going to play Bach. While he strolls around the city he is thinking, not so much about the concert as about himself, both as a lonely foreigner and as a human being in cosmos. Here and there he encounters some racist comments, but mostly he just feels the weight of social exclusion because of his otherness, especially when it comes to women. On the morning of the day for his concert the embassy informs him that his whole family has perished. He feels totally broken, although he thinks that everyone holds some pain inside. His piano teacher, a professor at the Academy, looks him up, and tells him that he heard what has happened. The professor advises him to communicate his feelings that evening by using his Bach.

A lyrical story about first love, death and disappointment, based on a poem of the same title.
Petr studies law in Prague, Jakub studies philosophy there. They are the best of friends until their holiday trip to Slovakia is crossed by a Romani young man named Imro. Imro is in love with Eržika, who is guilty of breaking an ancient tradition by breaking her vow of loyalty. The vow is the law. In a fit of jealousy, Imro kills his beloved. Two punishments await him. One from the majority "white" society, the other from his own Roma community. Petr and Jakub watch Imro's tragic fate from close proximity and their views on the matter of justice and punishment begin to diverge diametrically. The academic controversy eventually escalates into a fundamental conflict of life attitudes that almost destroys their friendship. Whose side is the truth on?
Petr studies law in Prague, Jakub studies philosophy there. They are the best of friends until their holiday trip to Slovakia is crossed by a Romani young man named Imro. Imro is in love with Eržika, who is guilty of breaking an ancient tradition by breaking her vow of loyalty. The vow is the law. In a fit of jealousy, Imro kills his beloved. Two punishments await him. One from the majority "white" society, the other from his own Roma community. Petr and Jakub watch Imro's tragic fate from close proximity and their views on the matter of justice and punishment begin to diverge diametrically. The academic controversy eventually escalates into a fundamental conflict of life attitudes that almost destroys their friendship. Whose side is the truth on?
Petr studies law in Prague, Jakub studies philosophy there. They are the best of friends until their holiday trip to Slovakia is crossed by a Romani young man named Imro. Imro is in love with Eržika, who is guilty of breaking an ancient tradition by breaking her vow of loyalty. The vow is the law. In a fit of jealousy, Imro kills his beloved. Two punishments await him. One from the majority "white" society, the other from his own Roma community. Petr and Jakub watch Imro's tragic fate from close proximity and their views on the matter of justice and punishment begin to diverge diametrically. The academic controversy eventually escalates into a fundamental conflict of life attitudes that almost destroys their friendship. Whose side is the truth on?

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.
Last Of The Clan follows the efforts of a man who as one of the last in 70' Czechoslovakia uses horses for timber harvesting.

Fati Farari, a black man from Africa, is completing his studies in classical piano at the Music Academy of Prague. It's the day before his first solo concert, where he is going to play Bach. While he strolls around the city he is thinking, not so much about the concert as about himself, both as a lonely foreigner and as a human being in cosmos. Here and there he encounters some racist comments, but mostly he just feels the weight of social exclusion because of his otherness, especially when it comes to women. On the morning of the day for his concert the embassy informs him that his whole family has perished. He feels totally broken, although he thinks that everyone holds some pain inside. His piano teacher, a professor at the Academy, looks him up, and tells him that he heard what has happened. The professor advises him to communicate his feelings that evening by using his Bach.
