TV drama that depicts treatment and persecution of outlaws in the Kingdom of Serbia during 1860s.

A story of two people who fell in love and couldn't find their way in the big city: a man who came from the countryside to work in a steel factory and a woman who works in the factory restaurant.

The subjects are trains and trainyards, which were key iconic symbols in the Yugoslav Black Wave films of the decade that followed. Lazić would also turn pro, directing mostly for television with the intermittent feature film to his credit.

Older but wealthiest man in the village Života waits for his Russian bride, but when his freshly single nephew Dragoljub arrives he falls for the girl and takes her away. Nevertheless, wedding happens. Života marries local psychic, Dragoljub marries the Russian girl and his son marries his own girlfriend.

The subjects are trains and trainyards, which were key iconic symbols in the Yugoslav Black Wave films of the decade that followed. Lazić would also turn pro, directing mostly for television with the intermittent feature film to his credit.

A village blacksmith Sekula, hard-muscled but soft-hearted, has terrible luck when it comes to love. Many women pass through his house - a local spinster of ill health, a belly dancer, a veterinarian experienced in the castration of bulls a singing star-to-be - but stay just long enough to give birth to another child, only to then run away.

Marko returns from the army and comes into conflict with his father. He goes to town and finds a job as a car mechanic. In spite of his father and the backward village, which is under the influence of the church, the son approaches the Mayer sisters to sleep over the weekend at their place.

A satire set during a house council meeting, where the tenants argue over the problem of taking out the garbage.

A sickly village girl wants to marry a house painter, who only prefers to fool around.

A returnee from Australia causes uproar in his native village when he announces he's looking for bride.