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In this decidedly cheeky and deliriously fun animation, a decent, hard-working wolf must rely on his physical gifts in order to make ends meet for the sake of his family.
Five fresh short films on the theme "With the best intentions" from even fresher Estonian directors.
It’s pouring rain at the funeral. There’s a lot of crying, too much wine, several woodpeckers and a couple of dreams that fill in the gaps.
On the cusp of adulthood, the world's longest running gay short film series is only getting started. Boys On Film 20: Heaven Can Wait includes eleven complete films: Bassem Ben Brahim's animated "Chromophobia"; Jimi Vall Peterson's "Sleepover" starring Hjalmar Hardestam and Simon Eriksson; Mickey Jones's "Just Me" starring Philip Olivier and Carl Loughlin; Matthew Jacobs Morgan's "Mine" starring Joshua McGuire and John Macmillan; Dale John Allen's "Don't Blame Jack" starring Jordan Tweddle and Kane Surry; Timothy Ryan Hickernell's "Foreign Lovers" co-starring Lucio Nieto; Layke Anderson's "Mankind" starring Ricky Nixon and Alexis Gregory; Christopher Manning's "Isha" starring Horia Săvescu and Dario Coates; Jay Russell's "ruok" starring Peter Mark Kendall, Zachary Booth, and Sydney James Harcourt; Chintis Lundgren's animated "Manivald"; and Zoe McIntosh's "The World In Your Window" starring Joe Folau and David Lolofakangalo Rounds.
Manivald is a fox in his early 30s. He is still living at home with his mother. One day a young hot wolf called Toomas comes to fix the washing machine. A love triangle develops between the three of them. Things get out of hand and Manivald realizes that it is time to move out.
In ancient times, wildcats were fierce carnivorous hunters. And unlike dogs, who have undergone centuries of selective breeding, modern cats are genetically very similar to ancient cats. How did these solitary, fierce predators become our sofa sidekicks? Eva-Maria Geigl traces the domestication of the modern house cat.
A quiet Sunday afternoon in the aristocratic, family home, just before the fall of the Austro-Hungarian empire. Andras and his daughter Zsofia are caught by surprise when Andras’ brother Zoltan intrudes in the intimacy of their home, along with his big family. A poetic, dark, and somewhat humorous social observation, in which family ties and relationships are broken down and dissected to pieces.